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1Images
Qamar Taj Dawlatabadi
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1Images
Qamar Taj Dawlatabadi
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9Images
Kanun-i Banuvan Cultural Services Cooperative, Articles of Association, 1964
The Articles of Association of the Kanun-i Banuvan Cultural Services Cooperative, including the seals of the Services Cooperative and the Ministry of Labor. On the last page, there is handwriting by Qamar Taj Dawlatabadi.
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Qamar Taj Dawlatabadi
Qamar Taj Dawlatabadi is pictured here with some Isfahani friends; she is the second person from the left in the first row of adults from front of the image.
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Fakhr Taj Dawlatabadi
On the verso there is handwriting by Fakhr Taj Dawlatabadi addressed to her sister, Qamar Taj Dawlatabadi.
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Family portrait
Left to right: Munis Agha, Qamar Taj Dawlatabadi and Mahdukht Sanʻati
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Sadiqah Dawlatabadi to unidentified, 10 August 1924
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33Images
Sadiqah Dawlatabadi lectures
Sadiqah Dawlatabadi's lectures on various topics, including a speech in support of government bonds, a speech on Franco-Persian relations and the life of women in Persia, and the speech "Woman is the foundation of rational life," along with an invitation [in French] addressed to Qamar Taj and her husband ʻAbd al-Husayn Sanʻatizadah for a lecture by Sadiqah Dawlatabadi at the College Feminin in Paris on 20 July 1927, entitled "Franco-Persian relations and the life of women in Persia."
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13Images
Letters of Sadiqah Dawlatabadi to ʻAbd al-Husayn Sanʻatizadah
Several letters from Sadiqah Dawlatabadi to ʻAbd al-Husayn Sanʻatizadah including the following: one in which she congratulates Sanʻatizadah on his betrothal to Qamar Taj and thanks him for a loan of 1,500 francs; one in which she refers to ʻAbd al-Husayn's recent appendectomy; one in which she writes to him about her studies and life in Paris and her hopes to improve Iran; and one in which she writes about the differences between life in France and Iran.
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44Images
Two pieces in the handwriting of Subh-i Azal and Qurrat al-‘Ayn
Two pieces in the handwriting of Subh-i Azal and Qurrat al-‘Ayn. Each piece has several pages folded as a booklet; inside a single sheet folded to contain them, Qamar Taj Dawlatabadi has written: "The Haykal piece in the auspicious hand-writing of Hazrat Samarah Azal and one in the hand-writing of Hazrat Tahirah."
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